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Hakim's avatar

Charlie! First, I wanna say how much I appreciate the seriousness of this piece. Not just the content, but the willingness to think publicly, to move through uncertainty without smoothing it over. The “unconventional notes” framing feels right because the work itself refuses closure; it stays with the mess, the wound, the inheritance. That is part of what makes the essay important. It’s not offering a clean answer to Black identity, it’s sitting w? the damage that made clean answers impossible.

Your opening questions around fabricated indigeneity, false genealogies, & the desire to be anything other than African felt less like an accusation & more like an invitation to reckon w/ something unresolved. You’re asking us to look honestly at what captivity did, not only to bodies and bloodlines, but to imagination, memory, & the longing for origin itself. I really appreciate that you make room, early on, to say this is not about denying Afro-Indigenous people or collapsing complex histories, but about interrogating a particular psychic inheritance shaped by enslavement and its afterlives.

What stays w/ me most is your articulation of ungendering, the loss of bodily autonomy, kinship, narrative belonging, & social life & the insistence that this was not simply historical, but intergenerational. I agree w/ you that this names something essential about Black existence under modernity. It gives us a scene, to borrow a phrase, where we can see how Black life has been rendered fungible, capturable, endlessly available for use.

And yet, as I sat with the piece, my thinking kept returning to that line that shadows so much Black thought: we were not meant to survive. If that’s true, and I think it is, then the question that opens up for me alongside your work is not only what captivity destroyed, but what made survival possible when survival was never the intention. Not in a redemptive sense. Not as triumphal narrative. But as analysis.

This is where African cosmology, philosophy, and epistemology feel especially important to me, not as belief systems layered on top of injury, but as epistemic insurgencies that interrupt the very terms of captivity. The animacy of nature, the reality of the invisible, the presence of ancestors, the refusal of enclosure between human, land, and spirit….these are not metaphors. They are ways of knowing and relating that exceed the world that made ungendering possible.

Thinking with this, I’ve been sitting w/ the idea of Blackness as an “outdoors”, a space of excess, relation, and possibility beyond property, sovereignty, and self-possession. Not as escape, but as reminder that Black life has always exceeded regulation, even when violently constrained. (I am thinking w/ the edited series work of J Kameron Carter and Sarah Jane Cevernak, Black Outdoors: Innovations in the Poetics of Study). Read this way, cosmology and relation aren’t attempts to recover what was lost; they’re practices that never fully surrendered to the world that named Blackness as nonbeing.

And this brings me back to your opening: to the desire for origin, for coherence, for a story that makes sense of rupture. What your essay makes clear is that many of these identity formations are not simply errors or delusions. They are symptoms of an unresolved inheritance, attempts, many times misguided, many times dangerous—to answer the question captivity left behind: Who are we, when our lineage was stolen and our world re-made against us?

I don’t know that we can fully reclaim gender, kinship, or cosmology inside the world that produces the ongoing ungendering of Blackness, because that world continues to reproduce the same logics. But I do think your work helps us ask a more precise and necessary question: If survival was never intended, what practices of relation, imagination, and world-making carried us anyway & what do they demand of us now?

That’s where your essay leaves me. And I’m grateful for that. And for you. You dat nigga. :)

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